Publications

Selected Publications

A Rude and Undigested Mass. Casey Reas on chance as a creative catalyst – and what giving up (some) control would means for authorship. HOLO2, December 2016. pages 86 - 87.
In Conversation: Casey Reas and Scott Aronson. A software artist and a computer scientist discuss how randomness courses through the universe. HOLO2, December 2016, pages 114 - 119.
Getting Started with Processing.py. Allison Parrish, Casey Reas, and Ben Fry. Make Media. June 2015. 242 pages. Softcover. Translation, with new content and modifications, of Getting Started with Processing to the Python programming language through Processing.py.
Getting Started with p5.js. Lauren McCarthy, Casey Reas, and Ben Fry. Make Media. May 2014. 246 pages. Softcover. Translation, with new content and modifications, of Getting Started with Processing to the JavaScript programming language through p5.js.
Getting Started with Processing, Second Edition. Casey Reas and Ben Fry. Make Media. June 2015. 238 pages. Softcover. Updated with new content for Processing 2.0 and 3.0.
Processing: A Programming Handbook for Visual Artists and Designers, Second Edition. MIT Press. 2014. 642 pages. Hardcover. Co-authored with Ben Fry.
10 PRINT CHR$(205.5+RND(1)); : GOTO 10. MIT Press, 2013. Academic book in the software studies domain about a one-line Commodore 64 BASIC computer program. Co-authored by Nick Montfort, Patsy Baudoin, John Bell, Ian Bogost, Jeremy Douglass, Mary Flanagan, Mark Marino, Michael Mateas, Casey Reas, Warren Sack, Mark Sample, and Noah Vawter.
“Processing Architecture.” Perspecta 44: Domain. The Yale Architecture Journal. MIT Press, 2011. Essay about the Processing software in relation to architecture. Co-authored with Ben Fry and a group of authors using a wiki.
“Designing Programs.” Graphisme en France 2012. Essay commissioned by the Centre national des arts plastiques. Co-authored with Chandler McWilliams.
Process Compendium 2004–2010. Reas Studio. 2010. 128 pages. Softcover. Self-published catalog for eponymous exhibition at Gallery DAM[Berlin].
FORM+CODE in Design, Art, and Architecture. Princeton Architectural Press. September 2010. 176 pages. Paperback. A non-technical introduction to the history, theory, and practice of software in the arts. Translated and published in Japanese by BNN. Co-authored with Chandler McWilliams and LUST.
Getting Started with Processing. O'Reilly Media / Make. June 2010. 160 pages. Paperback. Translated and published in Japanese, Chinese, and Korean. Co-authored with Ben Fry.
“Media + Architecture.” Cluster Magazine #7, Transmitting Architecture. 2008. Curated projects from artists that combine media and architecture: United Visual Artists, Mark Hansen and Ben Rubin, Rafael Lozano-Hemmer, Christian Moeller, and Jennifer Steinkamp.
Processing: A Programming Handbook for Visual Artists and Designers. MIT Press. 2007. 736 pages. Hardcover. Co-authored with Ben Fry.
“Who are the Progenitors of the Contemporary Synthesis of Software and Art?” The Anthology of Computer Art. Arie Altena and Lucas van der Velden, Ed. COUP, Amsterdam. 2006
“Process/Drawing.” Programming Cultures: Architecture, Art and Science in the Age of Software Development. Architectural Design, Vol. 76, Issue 4. Mike Silver, ed. John Wiley & Sons, Ltd, Oct 2006.
“Processing: Programming for the Media Arts.“ AI & Society Journal Special Issue. Springer Verlag, London. 2006
“Processing Code.” Aesthetic Computing. Paul Fishwick, Ed. MIT Press, Boston. 2006
“MicroImage.“ A Minima 9. Espacio Publicaciones, Spain. 2005
“The Language of Computers.” Creative Code. John Maeda, Ed. Thames & Hudson, London. 2004    
“{Software} Structures.” Read_Me, Software Art & Cultures. Olga Goriunova and Alexei Shulgin, Eds. University of Aarhus Press. Aarhus, Denmark. 2004
“Programming Media.” CODE: The Language of Our Time. Hatje Cantz Verlag. 2003. Translated into Japanese and published in InterCommunication No. 47, Winter. ICC. 2004
“Behavioral Kinetic Sculpture.” The Art of Programming. Sonic Acts Press. 2002


Selected Interviews (Video, Audio, Print)

“Coding as a way of thinking.” Interview with Serena Cangiano. Progetto grafico 30 – Open Technologies. Autumn 2016.
“Audio Canvas: Casey Reas.” Interview with Cornelia Carpenter. Aspen Public Radio. 10 August 2015. Online at http://aspenpublicradio.org/post/audio-canvas-casey-reas#stream/0
“Interview: Casey Reas.” Desktop #289. Dec/Jan 2013.
“Processing Lines: Conversation with Casey Reas.” Mobility of the Line. Ivana Wingham, Ed. Birkhauser. 2013.
“Beautiful Art, Created with Code.” Interview with Russell Brandom. BuzzFeed.com. 19 June 2012.
“Response: An Interview with Casey Reas.” Dekho: Conversations on Design in India. Codesign, 2012.
“Hello World! Processing.” Forty-minute documentary about Processing including an interview with Processing co-founders Casey Reas and Ben Fry. Online at https://vimeo.com/60735314
Clouds. Interview with James George and Jonathan Minard for an interactive documentary film about coding and the visual arts. The film was screened at the Sundance and Tribeca Film Festivals in 2014 and has been screened at many venues since including the Digital Revolution exhibition at the Barbican. More at www.cloudsdocumentary.com/
“Software as Medium.” The Digital Turn: Design in the Era of Interactive Technologies. Barbara Junge, Ed. eLab, Weissensee Academy of Art Berlin. 2012.
“Q&A with Casey Reas: The famed software designer provides an in-depth look at his innovative stage design for Yeasayer’s Fragrant World Tour,” Interview with Kee Chang. Anthem, 14 September 2012.
“YEASAYER + CASEY REAS + ARANDALASCH: FRAGRANT WORLD TOUR 2012”. Interview for The Creators Project video about the Yeasayer stage design. Online at http://thecreatorsproject.vice.com/yeasayer-casey-reas/yeasayer-casey-reas
“DIY Coding.” Interview with Liz Losh. Digital Media + Learning: The Power of Participation. 28 February 2012.
“Casey Reas.” Protein Profile. Video interview with William Rowe. http://www.prote.in/en/profiles/casey-reas
“Art from code with Casey Reas and Marius Watz.” Creative Coding Podcast interview with Seb Lee-Delisle. 28 July 2011. http://creativecodingpodcast.com/?p=116
“Casey Reas”. Substratum Issue 02: Visual Systems. http://substratumseries.com/issues/visual_systems/casey_reas/
“Casey Reas.” The Creator's Project. http://www.thecreatorsproject.com/creators/casey-reas
“Get with the Program.” Interview with Tracey Ingram. Frame, no. 79, pp. 223, Mar 2011-Apr 2011. Interview with Reas about FORM+CODE.
“Interview with Casey Reas and Ben Fry.” Interview with Dan Shiffman for Rhizome. 23 Sep 2009.
“Casey Reas.” Interview with Joshua Noble. Programming Interactivity. O'Reilly Press. 2009. This book is about open-source tools for the arts including Processing, Arduino, and OpenFrameworks.
“Casey Reas and Ben Fry on Processing.org.” FLOSS Weekly 52 interview. 17 January 2009. http://twit.tv/show/floss-weekly/52
“Questions about Self-organisation.” PixelACHE 2008. Jun 2008. A set of questions posed to the grassroots initiatives Processing, Arduino, Dorkbot and Boxwars UK.
“Interview with Casey Reas.” Interview by Mia Makela. A Minima 22, 2008. Special issue about Live Cinema, curated by Mia Makela, interview on pages 46 – 51.
“Casey Reas.” Interview by Alessandro Ludovico. Neural 28, 2008. pp. 40 - 43.
“C.E.B. Reas about a series of unexpected events.” TAGMAG 04: Info Aesthetics. pp. 34 – 37.
“Working the art process by typing in computer code.” Interview by Javier Candeira for Visual Communication, Special Issue: Screens and the Social Landscape. Vol. 5, Number 2. Jun 2006. pp. 205 - 217. Republished in Spanish in the magazine GRRR #15.
“An Interview with Ben Fry and Casey Reas.” Interview by Donna Marie Vakalis. Vague Terrain 03 : Generative Art. Summer 2006.

Selected Compendiums about the Artist (2005+ research in progress...)

2005
Schmidt, Petra, Annette Tietenberg, and Ralf Wollheim. Patterns in Design, Art and Architecture Patterns in Design, Art and Architecture. Birkhauser, Basel. 2005

2004
IdN Special 04: The Art of Experimental Interaction Design. Andy Cameron, Ed. IdN. Hong Kong. 2004
Tissage. Metis, Paris. 2004
eproject vol.2. Pao&Paws. Taipei. 2004

2003
AREA. Valerie Vago-Laurer, Ed. Phaidon Press Limited, London. 2003
Interaction Design Almanacco 2003. Interaction Design Institute Ivrea, Italy. 2003
Bang! Bande Dessinée, Images, Actualité. No.3. Casterman & Beaux Arts, Paris. 2003
ROJO.nu. Sintonison S.L., Barcelona. 2003
Salon version 3.0 DVD. Furukawa, Tokyo. 2003
Imbecil CD-ROM. Alku, Barcelona. 2003
Ubersee 2. Die Gestaltung Verlag, Berlin. 2003

2002-2000
ROJO.cold. Sintonison S.L., Barcelona. 2002
"Casey Reas." The Graphics Book. D&AD, London. 2002
IBM Systems Journal. Volume 39, Numbers 3 & 4. 2000

Selected Media about the Artist (Press, Books, Reviews, Citations)

2017
Meredith Hoy. From Point to Pixel: A Genealogy of Digital Aesthetics. Dartmouth College Press. 2017
2016
Aneta Genova, Katherine Moriwaki. Fashion and Technology: A Guide to Materials and Applications. Fairchild Books.
“bitforms Gallery: 15-year anniversary.” Wall Street International. 14 December 2016
Andrew Salomone. “'There’s No Distance' Charts 15 Years of Evolving New Media Art.“ The Creators Project. 21 September 2016
DJ Pangburn. “Bitforms Gallery Celebrates 15 Years with a Retrospective in San Francisco.” The Creators Project. 8 November 2016
Elliot Williams, “Wiring was Arduino before Arduino.” Hackaday. 4 March 2016
Helen Armstrong, ed. “Digital Design Theory: Readings from the Field.” Princeton Architectural Press. 2016
Holly Willis. “Big (Beautiful) Data: The Media Architecture of Refik Anadol.” KCET.org. 14 July 2016
Johanna Drucker. “Nostalgia for the Lost Subject of Technology in the Work of Casey Reas.” Los Angeles Review of Books. 29 January 2016
Joanie Harmon. “New academy teaches inner-city students: Make art, go to college.” UCLA Newsroom. 8 September 2016
Jody Zellen. “Exhibition Review: Casey Reas; Linear Perspective.” Afterimage, Vol 43, No. 4. January 2016
Julie Barr. “Creating Art with Code.” Slice of MIT. 22 March 2016
Meg Miller. “Code Art Rooted In An Unlikely Era: The 1960s.” Fast Company Design. 9 September 2016
Nico Correia. “Bridging the gap between art and code.” UCLA Newsroom. 25 April 2016
Nick Montfort. Exploratory Programming for the Arts and Humanities. MIT Press. 2016
Nora N. Khan. “Casey Reas’s Disconcerting Software Paintings.” The Village Voice. 13 October 2016
Pierluigi Panza. “Arte digitale a Treviso.” Corriere Della Sera. 13 May 2016
Sam Lubell. “Why Use a Paintbrush When You Can Make Mind-Bending Art with Code?” Wired. 15 February 2016
Seth Porges. “Inside The NYC Museum Devoted To Showcasing And Preserving Digital Art.” Forbes. 21 December 2016

2015
“À Meaux, le musée passager met l'art à portée de tous.” Le Parisien. 19 July 2015
Amanda Orr. “Music, digital art intersect in 'Day for Night' festival in Houston.” Reuters. 19 December 2016
Benoit Palop. “Dance Meets Cutting Edge Digital Creativity at an LA Workshop.” The Creators Project. 22 September 2015
Benoit Palop. “Here's Everything Awesome About Processing 3.0.” The Creators Project. 19 October 2015
Carolina A. Miranda. “Datebook: Digital manipulations, abstracted canvases, sculptures from trash.” Los Angeles Times. 3 September 2015
Claire Voon. “Code-Based Artworks that Reinvent Themselves Every Day.” Hyperallergic. 17 December 2015
John Brownlee. “25 Ideas Shaping The Future of Design.” Fast Company Design. 23 March 2015
Kimberly Nichols. “Casey Reas’ Linear Perspective.” Artdependence Magazine. 21 September 2015
Laura Mallonee. “Commissioning a Portrait of the Digital Crowd.” Hyperallergic. 8 April 2015
Michael Byrne. “Know Your Language: Meet Processing, the Lingua Franca of Creative Coding.” Motherboard. 12 June 2015
Molly Glentzer. “Digital spectacle of light and sound.” Houston Chronicle. 16 December 2015
Oliver Klatt. “‘Auch Künstler sind Coder’: Entwickler Dan Shiffman erklärt die Schönheit des Programmierens.” Wired.de. 10 December 2015
Peter König. “Schöner Programmieren: Processing 3 mit neuem Editor.” Heise.de. October 7 2015
Tracy Mueller. “Five Great UT Artistic Landmarks.” The University of Texas News. 9 March 2015
William Geoffrey Wood. “We Own the Nights.” Houstonia. 25 December 2015

2014
DJ Pangburn. “Autonomous Architecture Makes Living Spaces Feel Alive.” Motherboard. 21 January 2014
Alexander Scholz. “DAM Gallery: Welcome to the Club.” Holo. Spring 2014
Anthony Morey. “Did You See It? Now It's Gone. Casey Reas’ Generative Art at ACADIA 2014.” Archinect.com. 4 November 2014
Domenico Quaranta. “Rivoluzione digitale per l’arte.” Business People. 15 March 2014.
Giullia Zappa. “Interessati alla generative art? Per muoversi nel nuovo linguaggio di programmazione Processing, pane quotidiano per artisti e makers, partono i corsi del makerspace milanese Yatta.” Attribune. 6 December 2014
Anthony Morey. “ACADIA Conference 2014: Architectural Auto Show.” Archinect.com. 29 October 2014
Beryl Graham. New Collecting: Exhibiting and Audiences After New Media. Ashgate Publishing Co. 2014
David Jason Gerber and Mariana Ibañez. Paradigms in Computing: Making, Machines, and Models for Design Agency in Architecture. eVolo Press. 2014
Emerson Rosenthal. “Casey Reas’ Newest Artwork Is A Coded, Projected ‘Allegory Of The Cave.’” The Creators Project. 14 March 2014
Estefania de Leon. “Digital media artist brings work to Gates Dell Complex.” The Daily Texan. 9 October 2014
Hans Ulrich Obrist, Ed. Mapping It Out: An Alternative Atlas of Contemporary Cartographies. Thames & Hudson. 2014
Jason Fulford and Gregory Halpern. The Photographer's Playbook. Aperture. 2014
José Manuel Blanco. “Subastas de arte online, entre el lujo de siempre y los preciados gifs de Tumblr.” Eldiario.es. 26 August 2014
Johnny Magdeleno. “Casey Reas Is Manipulating Animated TV Shows Into Static, Coded Canvases.” The Creators Project. 16 June 2014. Republished 5 September 2016 as “Animated TV Shows Turn Into Static, Coded Canvases.”
Karen Rosenberg. “Glimpses of the Past and a HighTech Future.” The New York Times. 3 April 2014
Kyle Chayka. “Pricing Pixels: Breaking Down the Barriers of Selling Digital Art.” Complex.com. 22 January 2014
Luca Panaro. Casualità e conntrollo: Fotografia, video e web. Post Media. 2014
Matthias Kampmann. “Marktplatz in Digitalien.” ArtMagazine.cc. 19 January 2014
Matthias Kampmann. “Ein Michelangelo, aus Styropor gefräst.” Mittelbayerische. 19 January 2014
Mike Lee. “Consider ‘A Mathematical Theory of Communication.’” KUT News 90.5. 3 October 2014
Nicholas Korody. “Art + Architecture: Refik Anadol at Walt Disney Concert Hall.” Archinect. 21 November 2014
Tina Amirtha. “More Details on the Smart Poster Built Specifically for Digital Art.” Fast Company. 17 July 2014


2013
Alice Rawsthorn. Hello World: Where Design Meets Life. Hamish Hamilton. 2013
Alessandro Ludovico. “Review: 10 PRINT CHR$(205.5+RND(1)); : GOTO 10.” Neural #45. Summer 2013
Alexandra Sifferlin. “Laptop Louvre.” TIME. 21 October 2013
Asher Landau. “‘Americans!’ Highlights the Power of Processing.” Daily Bruin. 18 November 2013
Eric D. Bookhardt. “Review: Void Loop.” Gambit, Best of New Orleans. August 25, 2013
Hans Ulrich Obrist, Ed. Do It: The Compendium. Independent Curators International/D.A.P. 2013
Dale Eisinger. “‘The Wrong’ Digital Art Biennale Asserts ‘Hacking is the new Graffiti.’” Complex. 19 November 2013
Daniel Sauter. Rapid Android Development: Build Rich, Sensor-Based Applications with Processing. Pragmatic Bookshelf. 2013
Guy Horton. “Working at the Crystalline Level.” Metropolis. August 2013
Ivana Wingham. Mobility of the Line: Art Architecture Design. Birkhaeuser, 2013
Jarl Schulp. “Creative coding: programmeren als kunstvorm.” Motherboard. 3 September 2013
Jung-Ah Woo. “Data Curation.” ARTFORUM. October 2013
Kevin Holmes. “Casey Reas Launches New Exhibition At Bitforms Gallery.” The Creators Project. 5 September 2014
Kyle Vanhemert. “An Art Breakthrough: $90,000 for Youtube Video, Animated GIF, and Other Internet Experiments.” Wired. 28 October 2013
Leigh Silver. “25 People Shaping the Future of Design.” Complex.com. 14 October 2014
Marie-Ange Brayer and Frédéric Migayrou. Naturalizing Architecture. ArchiLab. 2013
Mark Hansen. “Data-Driven Aesthetics.” The New York Times. 19 June 2013
Martina Gambillara. “Phillips sposa Tumblr per debuttare nelle aste online. La piattaforma è quella di Paddle8, ed i proventi andranno a sostenere Rhizome   .” Artribune. 9 October 2013
Mike Fricano. “Computers as the 21st century pencil and paintbrush.” UCLA Newsroom. 9 December 2013
Peter Hirshberg. “The Art of Data.” Huffington Post. 31 August 2013
Takako Terunuma, Ed. Tokyo TDC 1000: 1990 – 2012. 1000 Bunko, 2013
Roberta Bosco and Stefano Caldana. “El arte digital llega a las subastas.” El Pais. 21 October 2013
Stefano Mirti “Ha la spina? C’è un’interfaccia.” Ottagono 265. November 2013

2012
Geeta Dayal. “Basic: A single line of code sends readers into a labyrinth.” Slate. 30 November 2012. Review of 10 Print book
Geeta Dayal. “Clouds, A Documentary Shot with Kinect, Explores Beauty of Code.” Wired. 6 August 2012
Kaspar Heinrich. “Im Datenstrom.” Der Tagesspiegel. 17 November 2012
Kyle Chayka. “A New Media Festival Thrives in Belgrade.” Hyperallergic. 8 November 2012
Ellen Pearlman. “Even in a Digital Universe You Should Keep Things Simple.” Hyperallergic. 6 July 2012
Ben James. “Hello World.” Jotta. Issue 1. 2012
Hartmut Bohnacker, Benedikt Bross, Julia Laub, Claudius Lazzeroni (Ed.) Generative Design: Visualize, Program, and Create with Processing. Princeton Architectural Press. 2012
Jan Vantomme. Processing 2: Creative Programming Cookbook. Packt Publishing. September 2012
Oscar Raymundo. “Yeasayer’s Chris Keating on Their Space-Age New Tour.” Rolling Stone. 6 September 2012
Joe Berkowitz. “Artist/Developer Casey Reas Creates a Reflective Stage Show for Yeasayer's Tour.” Fast Company. 24 August 2012
Michael Carbaugh, Ed. Transformation: New perspectives on design methods and processes. The Student Publication, Volume 35. North Carolina State University College of Design. 2012
“The Future of Art: Computed Creations.” MutualArt.com. 2 May 2012. Published 02 July 2012 by the Huffington Post.
Johannes Fricke Waldthausen Ed. Curating DLD 2007 – 2012. DLD Media. 2012
Joann Gonchar. “Yale Symposium Explores Drawing in the Digital Age.” Architectural Record. 21 February 2012
“Abstraction Through Technology.” The Burlington Free Press. 3 March 2012
Leor Galil. “A Look at the Creative Process Behind Yeasayer's New Performance Visuals.” Forbes. 12 September 2012
“Future Design: Creative Processing.” Computer Arts. April 2012
Scott Marble, Ed. Digital Workflows in Architecture. Birkhauser. 2012
Bruce Sterling. “Generation Generator (New Aesthetic).” Wired. 19 April 2012
Sarah E. Braddock Clarke and Jane Harris. Digital Visions for Fashion + Textiles: Made in Code. Thames and Hudson. 2012
Mark Wilson. “Indie Band Brings Stadium-Worthy Visual to Small Clubs.” Fast Company. 27 August 2012
Cedric Kiefer. “Processing 2.0.” Weave. June 2012

2011
Amah-Rose McKnight-Abrams. “Interactive Media Art?” The Huffington Post. 21 July 2011
Andor Salga, Daniel Hodgin, Anna Sobiepanek, Scott Downe, Mickael Medel, Catherine Leung. Processing.js: sketching with canvas. SIGGRAPH '11 ACM SIGGRAPH 2011 Talks. Article No. 15
Anthony Tommasini. “Airy Home for Music and Its Fans.” The New York Times. 26 January 2011. Article about NWS opening, mentions Chronograph software mural
Brian Evans. Beginning Arduino Programming. Apress, 2011
Frederico Duarte, Max Bruinsma, Eds. Useless. Babel – EXD’11/Lisboa. 2011.
Carolina A. Miranda. “This Week: Must-See Arts in the City.” wnyc.org. 15 December 2011
David Rothenberg. Survival of the Beautiful: Art, Science, and Evolution. Bloomsbury Press, 2011. Images and descriptions of Reas' work on pages 255 to 264
Domenico Quaranta. In Your Computer. LINK Editions, Brescia 2011. Reas' Software {Structures} discussed
“Form+Code Review.” Neural #38. Spring 2011. p. 36
Helen Armstrong, Zvezdana Stojmirovic. Participate: Designing with User-Generated Content. Princeton Architectural Press, 2011. Reas mentioned on pages 140, 145
Jean-Michel Geridan, Jean-Noel Lafargue. Processing le code informatique comme outil de creation. Pearson Education France, 2011
John Maeda. Redesigning Leadership (Simplicity: Design, Technology, Business, Life). MIT Press, 2011. Reas mentioned on page 16
Julia Halperin. “Calvin Tomkins to Be Honored At 2011 Whitney Gala.” Artinfo. 8 September 2011
Keith Stuart. “Robin Hunicke on Journey, AI and games that know they're games.” The Guardian. 6 December 2011
Kyle Chayka. “Artists meet game designers at Kill Screen Dialogues; world doesn't explode.” Pitchfork. 21 December 2011
Lauren Meir. “Trendsetting Art for 2012.” MutualArt.com. 28 December 2011
Lev Manovich. “Image Future.” In The Machinima Reader, edited by Michael Nitsche and Henry Lowood. MIT Press, 2011. Reas mentioned on page 83
Maria Popova. “7 Essential Books on Data Visualization & Computational Art.” Brain Pickings. 30 June 2011
Mark Bury. Scripting Cultures: Architectural Design and Programming. John Wiley and Sons, 2011
Mark Swed. “Dispatch from Miami: New World Symphony Center preview.” Los Angeles Times. 26 January 2011. Article about NWS opening, mentions Chronograph software mural
Martin Fuchs, Peter Bichsel, editors. Written Images. undef print, 2011. Unique book edition of 230 where each is uniquely generated by software
Paola Antonelli and Alice Rawsthorn. “I 20 progettisti più promettenti degli anni dieci
.” Italian Rolling Stone. April 2011. With Processing, Reas and Ben Fry were included in a list of 20 designers who will influence the next decade
Paul Prudence. “Mitchell Whitelaw Interview.” Neural #40. Autumn 2011. pp. 38-41. Reas mentioned on page 41
Paul Prudence. “Casey Reas – Process, Transformation, Growth.” dataisnature.com. 5 April 2011
Penny de Bly. Holistic Game Development: An All-in-One Guide to Implementing Game Mechanics, Art, Design and Programming. Focal Press, 2011. Image of Process Compendium installation at Gallery [DAM]Berlin in page 8
Peter Gassner. “Review of the Eyeo Festival 2011.” Datavisualization.ch. 5 July 2011
Regine Debatty, Claire L. Evans, Pablo Garcia, Andrea Grover, Thumb. New Art/Science Affinities. STUDIO for Creative Inquiry and Miller Gallery at Carnegie Mellon, 2011
Stephen Whelan. “And From Data Came Art.” Dazed & Confused. October 2011. pp. 240-241
Steven Heller. “Dialogue: Arachne for the Digital Age.” Print. October 2011. Image of Process 6 for Maraham Digital Projects.
Tom Igoe. Making Things Talk, Second Edition. O'Reilly Media, 2011

2010
Alice Rawsthorn. “The Invincible Book Keeps Reinventing Itself.” The New York Times. 24 October 2010. Review of design books, features FORM+CODE
Alice Rawsthorn. “A Master of Image and Information.” The New York Times. 10 October 2010. Profile on Gyorgy Kepes, features FORM+CODE
Alissa Walker. “13 of the Best Design Books of 2010”. Fast Company. 27 December 2010
Anne Laforet. “Art Numerique et Conservation.” MCD #57. March/April 2010
“Book: Form+Code in Design, Art, and Architecture.” Architect. October 2010
Daniel J. Wakin. “New World Symphony to Open in January.” ArtsBeat. NYTimes.com. 4 May 2010
Danny O'Brien. “A programming language aimed at real people.” The Irish Times. 22 January 2010
Darrell Hartman. “The Whitney Packs Them In for Its Annual Gala.” Style.com. 27 October 2010
Greg J. Smith. “Code Crossings: A Review of Form+Code: In Design, Art, and Architecture.” Rhizome.org. 22 September 2010
Holly Willis. “Form+Code.” KCET.org. 29 September 2010
Jeremy Kirk. “Exhibition Turns Programming Code Into Art.” PC World. 1 April 2010.
John L. Walters. “Laurie Anderson: All her own invention.” Eye 76. Summer 2010. Reas mentioned in article about Laurie Anderson
Joke Brouwer, Arjen Mulder, Lars Spuybroek. The Politics of the Impure. V2 Publishing, 2010
Julie Steele and Noah Iliinsky. Beautiful Visualization: Looking at Data through the Eyes of Experts. O'Reilly Media, 2010. Processing and Reas mentioned on page 275
Mark Leevan. “The Whitney Gala brings new media to forefront.” Examiner.com. 28 October 2010
Nina Boccia. “The art of Maharam's new wallpaper collection.” Azure: Design Architecture & Art, vol. 26, no. 198, pp. 40, Mar 2010-Apr 2010
Niraj Chokshi. “Creating Art with Code.” The Atlantic. 19 August 2010
Pau Waelder. Media art y mercado del arte (II). Art.es #39-40. pp. 114-117. Interview with [DAM]Berlin, with image of Process 18 (Software 2)
Paul Ryding. “Software as Illustration.” Varoom! Spring 2010
Rob Faludi. Building Wireless Sensor Networks: with ZigBee, XBee, Arduino, and Processing. O'Reilly Media, 2010
Rob Hartshorn. “The sweet green grass of code.” Eye 78. Winter 2010. Review for Form+Code
Rob Myers. “Form+Code.” Futherfield . 16 December 2010
Sarah Lugthart. “Review Form + Code.” Rupture . 3 October 2010
Sarah Maslin Nir. “The Whitney Gears Up for Downtown.” The New York Times. 27 October 2010. Review of Whitney Museum's annual gala
Sabina Barcucci, Bertram Niessen. “The Machine that Makes Art.” Digimag 60. December 2010 – January 2011. Review of Form+Code
Sabine Seymour. Functional Aesthetics: Visions in Fashionable Technology. Springer, 2010. Reas feature on pages 108-110
Soutar, Ian, “The art of the possible for digital creators.” Sheffield Telegraph, 20 January 2010
Steven Wilson. Art + Science Now. Thames & Hudson, London, 2010. Reas' TI is featured
Susanne Jaschko and Lucas Evers. “Process as Paradigm,” LABoral Catalog
Tom Austin. “NWS campus gears up for a dazzling opening.” Miami Herald. 9 May 2010. Article about video mural commission
Tom Austin. “New World Symphony reveals opening events.” Miami Herald. 5 May 2010. Article about NWS opening, mentions the video mural
Tom Banks. “Festival explores symbiosis between craft and digital art.” Design Week, vol. 25, no. 2, pp. 7, 14 Jan 2010. Review of Lovebytes Festival
William Bostic. “New Visual Artists 2010.” Print. April 2010
Wolf Lieser. The World of Digital Art. h.f.ullman, 2010
Zoe Ryan, Joseph Rosa. Hyperlinks: Architecture and Design. The Art Institute of Chicago, 2010. Publication for Hyperlinks exhibition at the Art Institute of Chicago

2009
Alice Rawsthorn. “London Portrays Past and Future of Digital Art.” The New York Times. 13 December 2009. Review of Decode exhibition at V&A
Alice Rawsthorn. “A Life of Light and Shadow.” The New York Times. 18 October 2009
Alice Rawsthorn. “A Life of Light and Shadow.” The New York Times. 18 October 2009. Feature on Laszlo Moholy-Nagy, Reas mentioned.
Alix Browne. “Love For Sail.” The New York Times T Magazine. 16 April 2009
Catherine Leung and Andor Salga. Enabling WebGL. In Proceedings of the 19th international conference on World wide web (WWW '10)
Cliff Kuang. “The Irresistible Appeal of Info Porn.” Print. June 2009. Article about information visualization with a discussion of Processing
Dave Barton. “The Tech/Art Installations at the UCI Beall Center Reveal Ghosts In the Machine
.” OC Weekly. 29 January 2009
“Decode: Digital Design Sensations.” Eye 74. Winter 2009. Review of Decode show at V&A.
Hartmut Bohnacker, Benedikt Gross, Julia Laub, Claudius Lasseroni. Generative Gestaltung. Verlag Hermann Schmidt, Mainz, 2009
Ira Greenberg. Processing for Flash Developers. Friends of Ed, 2009
Ivor Tossell. “10 Designers = 10 Great Ideas.” Azure: Design Architecture & Art, vol. 25, no. 194, pp. 60-71, Sep 2009
John Maeda. “When a Good Idea Works: Purity, Openness, and Simplicity are Engines of Design.” Technology Review. October 2009
Justin McGuirk, Johanna Agerman, William Wiles, Anna Bates, Beatrice Galilee, Oliver Wainwright, Alex Pasternack, Matthew Barac, Sean Dodson. The Icon 20/20. icon, no. 71, pp. 80-104, May 2009
Kostas Terzidis. Algorithms for Visual Design Using the Processing Language. Wiley, Indianapolis, 2009
Mike Silver. “Pattern Deposition: From Scripts to Applications.” Architectural Design. Special Issue: Patterns of Architecture. Volume 79, Issue 6, pages 94–99, November/December 2009
Monica Racic. “Art School Confidential.” Print. April 2009. Profile on UCLA, quote from Reas about programming and art
Nick Montfort, Ian Bogost. Racing the Beam. MIT Press, 2009. Reas and Processing mentioned on page 149
Rita Raley. Tactical Media. University Of Minnesota Press, 2009. Reas mentioned on page 115
Robert Klanten, Matthias Hubner, Sven Ehmann. Hair 'em Scare 'em. Gestalten Verlag, 2009. Tissue and HairyRed images featured.
Wolf Lieser. Digital Art. h.f.ullman, 2009


2008

Yves Bernard and Domenico Quaranta. Holy Fire: Art of the Digital Age. fp editions, 2008. Exhibition catalog for Holy Fire exhibition.
Paula Antonelli. Design and the Elastic Mind. Museum of Modern Art, New York, 2008. Processing and Reas are referenced on pages 139 and 158.
Hurley Goodall. “The Computerized Artist.” The Chronicle of Higher Education. Volume 54, Issue 22. 8 February 2008. Review of the Imaging by Numbers exhibition.
Ann-Christine Diaz. “I, Technophile.” Creativity. March 2008. Reas and Fry were featured on page 29.
Georgie Binks. “The Big Log Off: Where do computer files go when you die.” Walrus, March 2008. Image of Reas' Process 4 (Form 2) was reprinted on page 30.
Michelle Tepper. “Procesing: A Programming Handbook for Visual Designers and Artists.” netWorker, Volume 12, Issue 2. Association for Computing Machinery. June 2008. Book review on page 34.
Regine Debatty. “C.STEM 2008: Breeding Objects - Computational Design, from Digital Fabrication to Mass-Customization”. www.we-make-money-not-art.com. 21 Sep 2008. Exhibition review, including the work of Reas.
Brian Hayes. “Art In Code.” American Scientist, Volume 96, Number 4, Jul – Aug 2008. Book Review on pages 334 – 336 for Processing: A Programming Handbook for Visual Designers and Artists.
Gerd Waloszek, “Book Review: Processing, A Programming Handbook for Visual Designers and Artists.” SAP AG, User Experience. 25 April 2008.
Lisa Delgado. “Process Makes Perfect.” Rhizome. 7 Mar 2008. Review of Reas' Process / Form exhibition at bitforms gallery
Tim McKeough. “Painted by Numbers.” Wired. March 2008. Feature about data visualization, Reas' ORA included.
Barry Walsh. “Due Process: Processing Language Ups the Ante for Creative Flexibility.” Boards. Aug, 2007. Reference to Reas and Processing, an article about commercial uses of Processing.
“C.E.B. Reas: TI / Gallery DAM Berlin / ARCO'08 Madrid, Spain.” VernissageTV. Video and text review of Reas' TI at ARCO 2008.
Nico Macdonald. Book Review for Creative Code in Design Issues Journal. MIT Press. Autumn 2007, Volume 23, Number 4. Reas' contribution to Creative Code is quoted on page 104.
Tara McPherson. Digital Youth, Innovation, and the Unexpected. MIT Press, 2008. Reference to Processing and Reas on page 257.
Bruce Sterling. “What the Open-Source Computational-Aesthetics Crowd Is Into This Season.” Beyond the Beyond. Wired.com. 27 Jul 2008.
Lauren Weinberg. “Bit by bit, putting it together.” Time Out Chicago, Issue 152. 24 - 30 Jan 2008. Review of the Imaging by Numbers exhibition.
Axel Killian. “The Question of the Underlying Model and its Impact on Design.” In Models 306090 11, edited by Emily Abruzzo, Eric Ellingsen, Jonathan D. Solomon. Princeton Architectural Press, 2008. References Processing and Reas on page 209.
Ellen Lupton. Graphic Design: The New Basics. Princeton Architectural Press, 2008. Reas' work is featured on pages 12-13 and 232-233.
José Luis De Vicente. “Expanded Box, la eterna incógnita.” El Cultura. 14 Feb 2008. Discusses Reas' TI, shown at ARCO 2008.
Regine Debatty. “Encoded Artworks.” www.we-make-money-not-art.com. 16 Apr 2008. Reference to Reas lectures and publications.

2007
John Baichtal. “GeekDad Review: Processing.” Wired.com. 19 Dec 2007. Book review for Processing: A Programming Handbook for Visual Designers and Artists.
Stefania Garassini. “Between Nature and Artifice.” Domus 909 Techno: Digital Living. Review of generative software, Reas' TI on page 75.
Christiane Paul & Jemima Rellie et al. Feedback: Art Responsive to Instructions, Input, or its Environment. Laboral Foundation, 2007. Exhibition catalog for the Feedback exhibition, Reas is featured on pages 100-103.
Anne Seltzer. “Art Talk.” Claremont Courier. 10 Oct 2007. Review of Ephemeral exhibition.
Avital Binshtock. “Inland Art Empire.” Art Ltd. Nov 2007. Image of Reas' TI on page 66 in review of Ephemeral exhibition.
Peter Konig. “Kleinkunstprogramm: Algorithmische Bilder und Animationen mit Processing.” c't Magazine fur Computer Technik. 12 Nov 2007. Processing introduction and tutorial in German technical magazine.
Luke Prowse. “Grow Your Own.” Eye: The International Review of Graphic Design 65. Volume 17, Autumn 2007. Feature on Processing.org as a design tool, includes Reas's images.
Takashi Maekawa and Kotaro Tanaka. Built with Processing. BNN Publishing, 2007. This book introduces Processing to a Japanese audience, Reas' images are featured on pages 10 – 12.
Ira Greenberg. Processing: Creative Coding and Computational Art. Friends of Ed, 2007. Reas is referenced on pages 5, 8, and 21.
Franz Thalmair. “A Form of Technological Mimesis.” 10 May 2008. Furtherfield.org. Reference to Processing and Reas.
Emily King. “Different strokes, how a small but growing number of 'creative programmers' are changing the face of type.” Print, LXII:IV. Aug 2008. This article features Processing and the 'T' Reas designed for T, The New York Times Style Magazine.
Thomas L. Friedman. “The Greening of Geopolitics.” The New York Times Magazine. 15 Apr 2007. Reas was commissioned to re-imagine the American flag in reference to the topic of the essay. The image displayed with the text.
Alice Rawsthorn. “iPhone's magic touch becomes design's gold standard for 2007.” The International Herald Tribune. 23 Dec 2007. Rawsthorn wrote, “As for the book of the year, judged on looks, it would be David Pearson's beautiful Great Loves paperbacks for Penguin; and on content, Casey Reas & Ben Fry's account of their Processing software.”
Rawsthorn, Alice. “John Maeda: Rethinking Technology and the Digital Revolution.” International Herald Tribune. 6 May 2007
Manovich, Lev. “Abstraction and Complexity.” In MediaArtHistories. Edited by Oliver Grau. MIT Press, Cambridge, MA. 2007
Mancuso, Marco. “Software Art Space. Ma Quale Software Art?!?” Digimag 26. July/August 2007
Willis, Holly. “The Amazing Visual Language of Processing.” Voice: AIGA Journal. 17 July 2007
Cornell, Lauren. “Interview: Charlie Gere, Christiane Paul, Jemima Rellie.” Rhizome.org Digest 06/20/07 and 6/27/07. Republished in A Minima. Espacio Publicaciones, Spain. 2007
Leggett, Mike. “Generative Systems and the Cinematic Spaces of Film and Installation Art.” Leonardo - Volume 40, Number 2. April 2007
Stocker, Gerfried. “The Art of Tomorrow.” A Minima 15. Espacio Publicaciones, Spain. 20??
Lupton, Ellen. “Design Life Now: Curating the National Design Triennial.” Voice: AIGA Journal. 20 February 2007

2006
Brown, Andrew R. “Code Jamming.” M/C Journal 9.6. 2006
D-Fuse. VJ: Audio-Visual Art and VJ Culture. Laurence King. 2006 Shintani, Joyce. “Ars Electronica 2005: Festival for Art, Technology, and Society.” Computer Music Journal - Volume 30, Number 2. Summer 2006.
Turroni, Annalisa. “Interferenze, Electronatura Incontaminata.” Digimag 17. September 2006
Niessen, Bertram. “Sonic Acts XI.” Digimag 16. July/August 2006
Vakalis, Donna Marie. “An Interview with Ben Fry and Casey Reas.” Vague Terrain 03. June 2006
Merzello, Luca. “The Best of OFFF.” Digimag 15. June 2006
Sandone, Barbara. “OFFF Festival, Graphic Design con Amore.” Digimag 15. June 2006
Mancuso, Marco. “Tmema, Realta' Ampliata e Gesti Interattivi.” Digimag 11. February 2006
Quaranta, Domenica. “Generative Ars.” C.STEM catalog. 2006
Werner, James P. “Logos, Rationale and Desire in Convergent Art Practices.” In Analecta Husserliana, Volume 92. Springer Netherlands. 2006

2005
Beekman, Rene. “Unsorted: An A to Z for SonicActsX (Review).” Leonardo - Volume 39, Number 2. April 2006
Wettach, Reto. “Ars Electronica - Living in Paradox.“ PingMag. 20 September 2005
Quaranta, Domenico. “I Figli Ideali di LeWitt.” Arte e Critica, no. 44. 2005
Whitelaw, Michael. “System Stories and Model Worlds: A Critical Approach to Generative Art.” Readme #100,
Franchino, Fabio. “Generator.x, Tra Arte e Codice.” Digimag 9. November 2005
Quaranta, Domenico. “Living in a Paradox.” Cluster 5. 2005
Gemin, Tiziana. “Ars Electronica 2005: Chronicles.” Digimag 8. October 2005
Quaranta, Domenico. “Minimal Software.” Digimag 4. May 2005
Tanni, Valentina. “Navigando Contromano, La Browser Are.” Digimag 3. April 2005
Paul, Christiane. “Artport”. A Minima 12. Espacio Publicaciones, Spain. 2005
Willis, Holly. “Digital Universe with LA at its Center.” LA Weekly. 28 October 2005
Marriott, Michael. “Only the Frame is Familiar.” New York Times. 6 October 2005
Knight, Christoper. “Modern Experience, Dissected 11 Ways.” Los Angeles Times. 30 September 2005
Baker, Kenneth. “Hello, kitty. Nice to see you again.” San Francisco Chronicle. 9 July 2005
Rucker, Rudy. Lifebox, the Seashell, and the Soul. Thunder’s Mouth Press. 2005
Franchino, Fabio. “Casey Reas: Software Structures.” Digimag 8. October 2005 "Design Talk: Casey Reas. Processing." Computer Arts, UK. May 2005
Franzreb, Danny. "Programming for Designers Who Think They Can't Do It." IdN, Vol.12 No. 2. 2005
R.C. Baker. "Show World." Village Voice. 22 March 2005
Petersen, Andrea. "Art for When There’s Nothing on TV." The Wall Street Journal. 16 February 2005

2004
Altena, Arie. Unsorted, Thoughts on the Information Arts. Sonic Acts / De Balie. 2004
Lowgren, Jonas and Erik Stolterman. Thoughtful Interaction Design: A Design Perspective on Information Technology. MIT Press,
Cambridge. 2004 Pfaffenbichler, Norbert and Sandro Droschl. Abstraction Now. Edition Camera Austria. 2004
Birch, Thomas & Thomas Markussen. "Read_Me 2 - lær at programmere." HardDisken, Danmarks Radio, 4 September, 2004.
Tan, Tori. "Processing: Interview with C.E.B. Reas." XFuns Magazine No.11. May 2004
"Exploring Digital Possibilities." Sheffield Telegraph. 2 April, 2004

2003
Broegger, Andreas. "Software Art, An Introduction." kopenhagen.dk. September 2003
Engeli, Maia. "Ars Electronica 2003: CODE - The Language of our Time (Review)". Leonardo - Volume 37, Number 3. June 2004 Brown, Liz. "Eye Candy." Grafik. July 2003. 2003
Campion, Sebastian. "Code. In Conversation with C.E.B. Reas." kopenhagen.dk. October 2003
Christov-Bagarkiev, Carolyn. Animations. Kunst-Werke. Berlin. 2003
Ha, Young-June. "Interview with C.E.B. Reas." Korea Tatler, Vol.03 No.22, August 2003
Hoxley, Rich. "Code Dependency." Print Magazine. September/October 2003. 2003
Paul, Christiane. "Public CulturalProduction Art(Software) }." In CODE - The Language of Our Time. Hatje Cantz Verlag.
Osterfildern-Ruit. 2003
Sparks, Heather. "Web Design for Dummies." Wired Magazine. September 2003
Vanderbeeken, Mark. "Processing: Programming as Art." Cluster Magazine. Fall 2003

2002
"Interview: C.E.B. Reas." Design Net, Vol. 61. Seoul, Korea. October 2002
Maeda, John. "Design Education in the Post-Digital Age." Design Management Institute Journal, Vol. 13, No. 3, Summer 2002
Lehrer, Jeremy. "New Visual Artists Review: 20 Under 30." Print, March/April 2002
Melcer, Anne. "Numer, Design Interactif et Humaines Conditions." Etapes:85. June 2002
New York Reviews: "Bitforms Inaugural Show." ArtNews. April 2002
"Processing, Mein elekronisches Sketchbook." DE:BUG 64. October 2002

2001
Jesdanun, Anick. "Digital Art Gaining Acceptance." Associated Press. 10 December 2001
Martini, Federica. "Sculpture Immateriali, Intervista a C.E.B. Reas." Exibart. December 2001
Sakane, Itsuo. The Interaction '01, Dialogue with Expanded Images. IAMAS, Ogaki. 2001
Wolff, Laetitia and Wang Xu, Ed. Design Focus Media: ACG. China Youth Press, Hong Kong. 2001

2000
Coleman, B. "Aesthetics + Computation Group." ArtByte. Summer
"Eighth Annual New York Digital Salon." Leonardo. Volume 33, Number 5
Stocker, Gerfried and Christine Schopf, Ed. Ars Electronica 2000, Next Sex. Springer, Vienna
McKinnon, Matthew. "A Few Words About John Maeda." Shift, June 2000