Biography
Master of Arts, Academic Practice (part time), 2001, University of Brighton
Postgraduate, Printmaking, Brighton Polytechnic
Dip AD, Fine Art/Painting, Lanchester Polytechnic
Foundation Certificate, Scarborough Technical College
Awards and exhibitions
2002 - Arts and Humanities Research award. To archive the ISEA, International Symposium of Electronic Art, Conference proceedings & associated Art Exhibitions, Performances and Web sites. To make them accessible on the www for use for scholarly and research purposes.
2002 - Four Square Enabling Group, Lottery grant (RALP), South East Arts (SEA) and University Faculty Research Fund
Opposite Corners To enable mature artists to work in a new medium, not usually available to them. Working with an industrial factory to produce - 2 Enamel Panel's
2001 - Arts and Humanities Research award. exhibition and related research ArCade III
1998 - Digital Imaging Award, The Gallery of the Future, Loughborough University & Arts Council of Great Britain To Produce and research and the development of a suite of Digital prints, The Digital Printmaking Atelier
1995 - CAA Foreign/Travel Interdisciplinary Grant. College Art Association Conference, Boston, USA. Conference Paper: Et in Arcadia, Electronic Printmaking
Appointments
CADE, Computer in Art & Design Education, UK- VICE Chair 1999 -2002
DACS, Design and Artists Copyright Society, UK - Council of Management 2000 - 2002
CAA, College Arts Association, USA - Education Committee - 2000 - 2002
Arts and Humanities Data Service (AHDS)
Visual Arts Data Service (VADS) - Executive Committee 1999 - 2002
Distributed National Electronic Resources (DNER), Designing Britain - Management Committee 2000 - 2002
Distributed National Electronic Resources (DNER Xgrain, EDINA) - Advisory Panel 2000 - 2002
Digital Creativity, published by SWETS ZEITLINGER Editorial Board 1998 - 2002
ACM, Association for Computing Machinery, SIGGRAPH, USA
ISEA, International Symposium on Electronic Art 1995 - 2002
Printmaker Council of Great Britain Member - 1970 - 2002
Commissions and exhibitions
One-Person Exhibitions
2002 Recent Prints, Colville Place Gallery, London
1995 Screen Works, University of Sussex
1972 Serpentine Gallery, London
1971 York University
Selected Group Exhibitions
2002 - DACS Exhibition, CISAC Biennial World Congress, London
2002 - Two Wired Women, LeValle Gallery, Novorsbirsk, Russia
2002 - In-print, Howard Gardens Gallery, UWIC, Cardiff
2002 - ArCade III, James Hockey Gallery, Farnham, Surrey
2002 - ArCade III, New Greenham Arts Centre, Berkshire
2002 - ArCade III, London Guildhall Gallery, London
2002 - ArCade III, Levall Gallery, Novorsbirsk, Russia
2002 - ArCade III, International Art Festival, 'Tengri Umai', Alma-Ata, Russia
2002 - In-print, Howard Gardens Gallery, UWIC, Cardiff
2002 - ArCade III, James Hockey Gallery, Farnham, Surrey
2002 - ArCade III, New Greenham Arts Centre, Berkshire
2001 - Proof, KIAD staff and invited artists, The George Rodger Gallery, Kent Institute Six from the sixities, The Meeting House, Illminster, Sommerset
2001 - In-print Ferens Museum , Hull
2001 - ArCade III Glasgow School of Art, Scotland
2001 - ArCade III Gray's School of Art
2001 - Joining the Dots , London Institute, London
2001 - World of Print Bronx River Art Gallery, Bronx, New York
2001 - Relativities 4th British International Minature Print Exhibition - Loughborough University
2000 - Different Worlds of Printmaking, University of Conneticut, USA
2000 - Relativities, 4th British International Minature Print Exhibition, London
2000 - BitStream, Novorsibirsk Picture Museum, Russia
2000 - Art for the Millennium, Colville Place Gallery, London
1999 - Digital traces, Mercer Gallery, New York USA
1999 - Digital'99, Galerie Der Gegenwart, Wiesbaden, Germany
1999 - GAMUT, Cleveland Gallery, Teesside
1999 - GAMUT, Colville Place Gallery, London
1999 - The Digital Muse, Wellseley College, Masachusust, USA
1999 - BitStream Le Vale Gallery, Novorsibirsk, Siberia, Russia
1999 - The Third International Miniature Print Exhibition: Seattle, USA
1999 - Novosibirsk International Contemporary Easel Graphic Biennial - 99, Russia
1998 - The Third International Minature Print Exhibition: Bankside Gallery
1998 - A decade of Printmaking at Camberwell, London
1998 - ArCade II, Novosibirsk Picture Gallery, Siberia, Russia
1998 - 6th Biennale of Easel Graphic Art, Kaliningrad-Konigsberg'98, Russia
1998 - Links & Connections, L-Gallery, Moscow, Russia
1998 - Links & Connections, Reg Vardy Gallery, Sunderland
1998 - Under Construction, Gallery of the Future, Loughborough University
1997 - A bunch of Digital Art, New Jersey, USA
1997 - ArCade II, University of Brighton, Brighton
1997 - ArCade II, University of Derby, Derby
1997 - ArCade II, Kensington & Chelsea College, London
1997 - The Third International Minature Print Exhibition City Gallery Leicester
1997 - The Third International Minature Print Exhibition Handel House Contemporary Gallery, Devizes
1997 - The Third International Minature Print Exhibition Rye Art Gallery, Rye
1997 - The Third International Minature Print Exhibition Aberystwyth Arts Centre, Aberystwyth
1997 - Transformations & Innovations, Mappin Art Gallery, Sheffield
1996 - ArCade1, Wakefield College of Art
1996 - ArCade1, University of Central Lancashire, Preston
1996 - ArCade1, Mercer Gallery, Harrogate
1996 - ArCade1, Falmouth College of Art
1996 - Impressions, Rye Art Gallery, Sussex
1995 - The British International Miniature Print Exhibition The Bankside Gallery, Blackfriars, London
1995 - 30 Years of The PMC , Durham Light Infantry Museum & Art Gallery
1995 - 14th International Mini Print Art Centre Seoul, Korea
1995 - ArCade1, University of Brighton, Grand Parade, Brighton
1995 - ArCade1 Digital Dreams, Newcastle College
1995 - ArCade1 Wakefield College
1995 - Fusion, Hardware Gallery, London
1994 - International Exhibition of Graphic Art, '4 Block', Kharkov, Ukraine
1994 - National Print Exhibition, Mall Galleries, London
1994 - The Big Thaw, Printmaking Open '94, Brighton Art Index, Brighton
1994 - Contemporary Prints, Hatton Gallery, Newcastle
1994 - Estampes D'Outre Manche, Mus�e Atelier Adzak, Paris
1994 - British International Miniature Print Exhibition, City Gallery, Leicester
1994 - National Open Print Exhibition, Scarborough Art Gallery, Yorkshire
1994 - National Open Print Exhibition, Lethaby Gallery, Central St Matins, London
1994 - 14th Mini Print, International Cadaques, Spain
1994 - 14th Mini Print, Wingfield Music Festival, Wingfield
1994 - 14th Mini Print, Canet de Mar, Barcelona, Spain
1994 - Twelve Contemporary British Printmakers, Karelian Republic Art Museum
1994 - Twelve Contemporary British Printmakers, Karelia, Petrozavodsk, Karelia, Russia
1994 - Media Lounge, ISEA, Helsinki, Finland
1994 - BCAA Digital Arts, Exhibition, Mall Gallery, London
1994 - International Miniature Exhibition, Intaglio Gallery, London
Virtual Exhibitions
1999 - Digital Traces
http://www.brainiac.com/art/DigitalTraces/
1999 - Digital Muse
http://www.wellesley.edu/Art/Muse
1998 - ArCade II in Novorsibisk, Russia
http://gallery.nsc.ru/Exhibitions/Arcade/photogr_e.html
1998 - ArCade II in Kaliningrad, Russia
http://ommfao.sscc.ru/arcade/photogr_e.html
1997 - ArCade II
http://193.119.79.57/arcade/frontpage.html
1997 - Untitled Gallery
http://www.adh.ac.uk/exhibitions/sue/welcome.html
1996 - InSite, Watershed Gallery, Bristol
http://www.artec.org/channel/insite/index.html
1995 - Art Aids
http://www.illumin.co.uk/artaids/pages/gallery/artists/44.html
Public collections include
Billingham Art Gallery
British Council Collection
Buckingham Education Committee
Cambridge Art Gallery
East Sussex County Council
Guildford Art Gallery
Ferrens Art Gallery, Hull
Herbert Art Gallery, Coventry
Hove Museum of Art
Museum of Kharkov, Ukraine
The Open University
Scarborough Museum of Art
South East Arts Collection
South London Gallery
Towner Art Gallery, Eastbourne
University of Sussex
University of York
Victoria & Albert Museum
Key Note Presentations at Conferences include: 1994 - 2002
2003 - CAA, College Arts Association, 91st Annual Conference, New York, USA
Educational and Professional Practices Committees
Online Education: Teaching, Learning and Professional concerns
Reproducing Likeness: To change the Teaching of Print Media.
The impact of new technology on the nature of Teaching Printmaking in the 21st Century
2002 - Net for Learning 2002 Conference, Ronneby, Sweden
EASA, The European Academic Software Awards - a biennial competition for developers of academic software, within higher education and research in Europe.
Seeing Drawing
2002 - CHART, Computers in History Art Conference, The British Academy, London
Digital Art History? Exploring Practice in a Network Society,
Designing Britain Archive, JISC - DNER Project
2002 - ELIA 7th, European League of Institutes of the Arts, Dublin, Ireland
Panel - eLearning and Distance Learning in arts pedagogy
Seeing Drawing
2002 - ALT-C 2002: 9th International conference of the Association for Learning Technology, University of Sunderland, UK
Learning Technologies for Communication
Seeing Drawing
2002 - College Arts Association, Philadelphia, USA
Segregation or Integration panel
Seeing Drawing
Paradigms for Teaching Digital and Other New Technologies
2001 - HAN, Humanities in the Arts Network, Open University, Milton Keynes, UK
Bits & Bytes:
Collaborating together in Fine Art printmaking
2001 - ALT-C 2001 Edinburgh University
Seeing Drawing
Changing Learning Environments
2001 - IMPACT- 2nd International Conference on Printmaking, Helsinki
ScreenWorks,
Network/Education
2001 - SIGGRAPH Conference, Los Angeles
Seeing Drawing
Education Panel
2001 - Joint ASTER/OxTALENT conference on educational technology, Oxford University
Sense of Place
Shock of the Old: A Fresh Look at Innovation and Information Technology in University Teaching
2001 - ALT-C 2000,UMIST Manchester, UK
Open Circuits:
New Mechanisms for Working together in Art & Design
2000 - DRH, Digital Resources for Humanities, Sheffield, UK
Digital Image Collections for Teaching and Learning in Art & Design
2000 - Creativity Conference, Northumbria, UK
JUICE
How can we still retain the nature of our creativity in an increasingly digital commercial global economy?
1999 - International Conference on the Visualization in Arts, Los Angeles, USA
JIDI, JISC Image Digitisation Initiative
1999 - CADE'99, Computers in Art & Design Education, University of Teesside
The uses of Networking in Art & Design Education
1999 - Cultures of Distance, Symposium on T&L in Art & Design on the www
University of Westminster
A postcard from Brighton
1999 - SIGGRAPH, Los Angeles, USA
Panel: Large Format & New Processes
1998 - 86th CAA Conference, Toronto
Printmaking; Above and Below the Surface
Global collaborative Printmaking
1998 - International Women's' week, Surfers Paradise, Brighton
Making Art on Line
1998 - International Symposium on electronic Art, ISEA'98 Manchester, Liverpool
InterCreativity
1998 - Symposium of Prints & Drawings Kaliningrad- Konigsberg'98, Russia
Printmaking Education in the UK
1998 - College Arts Association, CAA's, Los Angeles, USA
Using Multi Media - in the Visual Arts
1997 - 85th CAA' Conference, New York
Computers in the Visual arts
1997 - Wired Women', a Celebration of Women in Digital Technology, UniversityPortsmouth, UK
The WIICA web
1997 - Digital Creativity CADE, Brighton, UK
1. global collaborations
2. The impact of Digital Technology on International Printmaking
1997 - 'New Fields in Fine Art', Kensington & Chelsea, London, UK
Electronic Printmaking, ArCade II
1997 - Communiversity Conference:
Public Art, Technology and Education, London
Figuring it out.....
1997 - DRH, Digital Resources for Humanities Conference, Oxford
Why CTI?
1996 - 84th College Arts Association Conference, Boston, USA
The State of International Printmaking
ET IN ARCADIA EGO
1996 - Royal Photographic Association, Holography Group
Computer Art
1996 - 'SplitScreen', Conference, Chichester, UK
Is the 'World Wide Web' the 'Gallery of Babylon'?
1996 - Digital Arts Day, Visual arts UK, Gateshead
Digital art
1996 - LTDI, Learning Technology Dissemination Initiative, Workshop, Dundee University
Transaction at a Distance: collaborative work on the Internet
1995 - 'Digital Creativity' CADE, Brighton, UK
Artists and the Internet
1995 - 'The Net Result is Art' 3rd Digital Dreams Conference, Newcastle
1.What are the options for artists presenting work on the Internet'
2. If a million artists each have their own Internet site, who will serve as arbiter of taste? If the culture industry won't curate a flood of unmarketable art who will?
1994 - 3rd International Symposium of Electronic Art, ISEA, Helsinki, Finland
'Artist's in Cyberculture', a round table discussion of 'Nethics'
1994 - 'New visions of the post-industrial society'. The University of Brighton
Virtuality and networking
A collaborative paper with Colin Beardon and Suzette Worden
1994 - 2nd World Wide Web Conference, Chicago, USA
Imaging the future
